Dial the Lobster

Bringing art into everyday conversation

Tag: sculpture

There’s Nothing Wrong with Sentimentality in Art

Lobster-friends, a lot of art critics deride ‘sentimental’ art. Philosopher/critic Anthony Savile states that sentimental art is deceptive, promoting a “false picture of the world,” and an escape from reality.

No exhibit more poignantly captures the dichotomy between escapism and reality than “Pompeii, The Exhibition,” currently showing at the California Science Center in L.A. The gallery takes us on a tour of artifacts culled from Pompeii’s gorgeous villas and gardens – many of them heady with the scent of escapism and, yes, sentimentality. We know where all this is tending, of course. With horrible irony, the ‘post-volcano-eruption’ section of the gallery displays casts of Vesuvius’ victims, curled up, hands over mouths to shield them from the ash – they look horribly like sculptures; the kind that Pompeii’s many wealthy citizens commissioned for their gardens.

And yet…perusing this exhibit, none of the art from Pompeii feels like an escape from reality, though much of it is undeniably sentimental. Take a look at this adorable marble sculpture from a garden villa: as pristine as if it had been carved yesterday.

four little dogs

Evidently, this little quartet of dogs belonged to the villa’s owner, and desiring to capture them forever (goal achieved) the owner had them turned into art, only to be dug up years later during Pompeii’s excavation.

Maybe it’s me, but I see no ‘escape from reality’ here. There is nothing fantastic or escapist about emotion and love to my mind. Maybe when a work of art is overwrought with emotion to the point where it is melodramatic or unbelievable: yes, that’s another story. But to decry sentimental art in general seems like a gross misunderstanding of what sentimentality is. Far from being divorced from reality, sentiment allows us to connect in a visceral way with that which is, to us, most real. And for most of us that means our family, our children, our friends, cute kitty YouTube videos, our pets – essentially, our relationships. Not wars and bombs and poverty and death. Obviously, that doesn’t mean we shouldn’t care about those things (of course we should) or that we should shy away from them. But to argue a point on the basis of what is and isn’t ‘real’ seems simultaneously sweeping and reductive.

“Four Little Dogs,” is not simply a charming, sentimental piece. It’s a powerful statement about what endures, and what has endured: the simple beauty of life, and of love.

Advertisements

Art as Therapy, Therapy as Art: Decisions and Struggles

Hello Lobsterites!

How well do you cope with conflict, making a difficult decision, or getting through a personal struggle? Well, for consolation, here’s “Laocoon and His Sons” to make you feel better!

laocoon

Poor Laocoon is having a bad day. He’s been punished by the Gods for trying to save Troy from the wooden horse scheme, he’s had to fend off venomous serpents, and now, at the height of his struggle, he’s about to be bitten (see snake head to right).¬† Well, this is the Greek myth, but regardless of the story behind it surely no other work of art (and in this case, we’re looking at a Hellenistic Greek sculpture, now in the Vatican) encapsulates so perfectly what it feels like to really ‘struggle’ – be it physically or mentally. The tensions in the work embody the desire for ‘balance’ nicely- everything moves to the left, like a wave, but the boy on the right tilts slightly in the opposite direction, evening things out. And look at the two triangles of negative space, one under Laocoon’s arm; one under his son’s arm on the right. I could go on pointing out counter-balancing effects like this for a while…

In other words, this work is about the push-and-pull of life; its certainties and uncertainties; hope and collapse, and most poignantly perhaps, life and death. The son on the left is dying, Laocoon is about to die, and the son on the right looks to be escaping. Regardless of his final fate (yeah, he dies too) in this moment the sculpture depicts all three states of mortality; all three states of suffering. And of all the looks of anguish on these faces, none is worse than that  of the escaping son, as he watches his father about go down.

laocoon son's head

This is an exquisitely rendered portrayal of fear, pain, and downright desperation.

Well, something of a theme on this blog has been pairing works of art with…other stuff. I’ve done poetry, I’ve done books, but now I’m doing…a therapy session!

In his book “Art as Therapy,” (great read by the way) Alain De Botton argues that we should start treating art as a medium which can teach and console us. Well, now we have proof that therapy can be art, too.

In an incredible video (below) we see Carl Rogers, the founder of Person-Centered Therapy, counseling a (brave) lady called Gloria. PCT is all about showing empathy, withholding interpretation, and resisting being the ‘wise counselor.’ Rogers wanted clients to arrive at their own answers, as a means of empowering them and resisting placing his own values on them.

Gloria is going through her own personal struggle, and the serpent-like quality of her conflict – which twists and contorts around her as she weighs the pros and cons of each decision, seeking balance in a strange echolalia of the sculpture, is something we can all relate to. It’s Laocoon’s struggle as it exists within all of us.

And Roger’s handling of it is amazing. He gently lifts the ‘snake’ from off of her shoulders and places it in front of her, where she can deal with it safely and examine it from all angles. I’ve always been in awe of therapists and the therapeutic process, but this is something else. Watch and gawp. And if you’re going through your own difficulty with a tough decision, this will definitely help.